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Fisher woman of my Mohenjo-Daro

Fisher woman of my Mohenjo-Daro

Fisher woman of my Mohenjo-Daro took place at the Jamil Naqsh Museum on the 29th of December, 2018. The body of work, made by the master himself, was [...]
An Ode to the Human Spirit

An Ode to the Human Spirit

  Several decades into his career, artist Abdul Jabbar Gull presents a new body of work exploring his sculptural practice. A solo show titled [...]

NOTHING IS LOST

  In some sense, art and fashion are similar, considering that some artists, both globally and in Pakistan appear as fashion models, or a numb [...]
In conversation with Sana Khan Niazi

In conversation with Sana Khan Niazi

Sana Khan Niazi is an entrepreneur, theatre artist and a stand-up comic. Having majored in Accounting and Finance from a University in Malaysia, she p [...]
Glory of the Garden

Glory of the Garden

  In recent times of ecological turmoil, it is difficult to think of gardens as anything more than natures last refuge at the brink of erasure [...]
Letter from the Editor-in-Chief

Letter from the Editor-in-Chief

  Welcome to the January 2019 issue of ArtNow, and a Happy New Year to all our readers! It has been an exciting year for art, and I would like [...]
In Conversation with Adeel uz Zafar: artist and mentor

In Conversation with Adeel uz Zafar: artist and mentor

    Adeel uz Zafar (b.1975, Pakistan) graduated from the National College of Arts in Lahore. An internationally acclaimed artist, Zafa [...]
Letter from the Editor

Letter from the Editor

  “History is like a bed: It’s made, unmade, made again and so on”, writes Ingrid Sischy. This could be said of art history too, which often r [...]
UBERMENSCH – A conversation between Rashid Rana and Rohma Khan.

UBERMENSCH – A conversation between Rashid Rana and Rohma Khan.

“Superman” as we know today follows the conceptual premise conceived by Friedrich Nietzsche in his philosophical centerpiece, Thus Spake Zarathustra, [...]
Preview

Preview

    Act 1: A discussion at the Presidio, San Francisco Bay   Hey, let’s walk to the bridge.   Why? What for? We’re not [...]
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