Welcome to the March Issue. As spring awakens, bringing with it a sense of renewal, we dedicate this issue to the legendary Ismail Gulgee, a
Welcome to the March Issue. As spring awakens, bringing with it a sense of renewal, we dedicate this issue to the legendary Ismail Gulgee, a pioneer whose artistic legacy continues to shape the landscape of South Asian art. His mastery in calligraphic abstraction and portraiture established a unique visual language that remains unparalleled. This month, we celebrate his enduring influence and the efforts to preserve his work for future generations. And this harwork was done by his own son Amin Gulgee who opened a museum in his name to preserve his works.
Ismail Gulgee was a visionary whose artistic practice spanned decades, seamlessly weaving together elements of traditional calligraphy, abstraction, and portraiture. His work was deeply influenced by Sufism, translating spiritual themes into sweeping gestural strokes and dynamic compositions. Gulgee’s engagement with materials, including gold leaf, lapis lazuli, and bold, impasto techniques, reflected his quest to merge the transcendental with the tactile, creating works that pulsated with energy and movement.
His renowned portraiture, particularly of global and regional dignitaries, showcased his ability to capture not just the likeness but the essence of his subjects. However, it was his abstract expressionist works, often inspired by Arabic calligraphy, that truly set him apart. These paintings embodied a unique fusion of East and West, drawing from both the gestural vigor of action painting and the spiritual resonance of Islamic art. His canvases exude rhythm and fluidity, transforming the written word into an immersive, almost musical experience.
Even after his passing, Gulgee’s impact continues to shape contemporary Pakistani art. His experimentation with form and material has influenced generations of artists who seek to bridge tradition and innovation. His legacy is further cemented through the newly established Gulgee Museum, ensuring that his contributions to the art world remain accessible and appreciated by future audiences.
A special congratulations not only on opening Gulgee Museum but also for the launch of his much anticipated book ‘NoMan’s land’ which offers a profound insight into his creative journey.
March also marks a time of spiritual reflection as we enter the blessed month of Ramadan. We extend our warmest wishes for a peaceful and fulfilling Ramadan to all our readers. May this month bring clarity, compassion, and creativity to your lives and practices.
We heartily congratulations Waqas Khan on the launch of his new book, A Man with a Pen, which delves into his inspirations and evolving practice. Furthermore, we acknowledge Vasl Artists’ Association’s continued achievements in fostering artistic dialogue and supporting emerging talent.
The art scenes in Lahore and Islamabad are witnessing a remarkable surge of new energies, with young and established artists pushing boundaries and engaging with dynamic contemporary narratives. This issue features a compelling piece on Ismail Gulgee, an essay by Malaika Rahimtoola, an obituary honoring the legacy of Mashkoor Raza, an editorial by the Editor Quddus Mirza and extensive reviews covering exhibitions across Karachi, Lahore, and Islamabad. Our international art blogs keep you updated with significant developments in the global art world.
Stay tuned for an issue brimming with insightful critiques, engaging features, and exclusive artist spotlights. Wishing you all a reflective, joyous, and art-filled Ramadan.
Happy Ramadan
